The Citizen Review " A man goes to the movies. A critic must be honest enough to admit that he is that man." -Robert Warshow

"Arrested Development"

By Matthew Meriwether, 7/26/10

Arrested Development is the story of The Bluths. A very wealthy family that owns it's own real estate company. The family, however, is very greedy and uses the business as their personal piggy bank. So, Michael Bluth (the only sane one in this family) has to save this family and company from falling apart (or perhaps he's too late).

Comparing Arrested Development to any other comedy show on television is a sad, sad one. If you watch a comedy show today, you'll laugh every now and then (it is a comedy show), but when you watch Arrested Development, you laugh the entire show. There isn't plot, plot, plot with a joke here and there. Every second is a laughable moment. There isn't a moment in this show that isn't hilarious.

The show has a fairly large cast, but unlike other shows with large casts, there is almost no supporting cast. Every character shines in every episode. And to put them together in one family, is just about the most dysfunctional family of all time. They're all weird, and the more weird they get, the funnier they are.

The writing, of course, to a show is crucial. And the writing in Arrested Development is so good, that any improvisational actor would just read from the script instead of coming up with something else. In fact, that's exactly what happened. This show was meant to be 50% improv, but when the actors read the script, they just read from it directly. Each one is extremely well plotted, and each one is very dense with humor.

As well as being hilarious, Arrested Development is also great because of how original and innovative it was. It was the first single camera set-up for a comedy show. The sitcoms before this, were the ones with fake sets, multi-cameras and an audience. Having a single camera set-up allows for the show to be more cinematic, and cut to different scenes liberally for more comedic opportunities.

But this great show didn't last forever. It ended sadly with three seasons due to low ratings. Which makes me seriously question American television viewers. Arrested Development didn't make a single bad episode, and each one far greater than any show on today.

"The Red Shoes"

By Jack Meriwether 7/25/10

Upon viewing The Red Shoes, one can't help but get swept up in the large-scale grandeur of the film. It is dark, romantic, funny, eye-popping and also obscure at times. As Roger Ebert says in his Great Movie review, "You don't watch it, you bathe in it."

This film can fool you. In the beginning, The Red Shoes may seem like a charming but seemingly underachieving "backstage drama". But it's far from that. As you peer into it, you see it's whole other side. It's a film that has many beautiful images and moments and one that captures it's actors so very well. Moira Shearer, a ballerina-turned-actress, is ravishingly red-headed in this film. Could it be one of the greatest casting jobs in film history? She's a fierce talent: she acts well, she dances beautifully and her red hair emanates the idea of the red shoes.

The film is all about Boris Lermontov (Anton Walbrook), the fierce and vibrant ballet impresario, trying turn Victoria Page (Shearer) into a ballet sensation and the baggage that comes along with that. It's also about the love between Miss Page and the fledgling composer/conductor Julian Craster (Marius Golding), and how Lermontov will have none of it.

There are many elements that make this film great. One is the stunning art direction. There is a twenty-minute long ballet sequence within the film. The ballet is The Red Shoes, based upon the Hans Christian Anderson story, written in the film by Julian Craster; the amazing thing is that they actually wrote a ballet for the film. The sequence is filmed in a frenzied, dream-like way which captures the spirit of the film: it is beautiful and simple but also dark and enigmatic.

The other element is the casting of Anton Walbrook as Lermontov, the layered impresario. His character is the central role of the film. On the outside he seems harsh and iron-willed, which he his; but as Victoria and Julian get to know him better, they see that he is more than that. He truly loves the ballet and will do anything to make it great.

The ending is certainly drastic and over the top, but for this film, a simple ending would have been completely wrong. In the end, Victoria has a choice to make and either way she chooses, she will be unhappy. The film can't simply end with her heart broken, it has to shatter everything to pieces, which it more or less does. The film is told as a modern fairy tale with a tragic ending. If you pay close attention, you'll see that the storyline of the ballet The Red Shoes repeats itself in the film so the ending is inevitable. You'll have to see what that ending is for yourself.

The Red Shoes is the quintessential film about ballet, just like Singin' in the Rain was for the film industry. It is grand, spectacular, mind-bending and just plain startling to behold.

"Inception"

by Matthew Meriwether 7/24/10

Describing a film like Inception is kind of like explaining an undiscovered country. And that's exactly what it is. Undiscovered territory for film. Nolan has created a concept and a story that is completely original in every aspect. And watching it for the first time is like a breath of fresh air.

No matter how anyone tries to explain the ideas behind this film, it will only make you more confused. Only the film itself can tell it, and quite wonderfully if I might add. And that is what it does for about the first fourth of the film. It explains the ideas, and rules of this thing called extraction and inception. But it never seems like it's just explaining to us.

Once this "inception" actually begins to unfold, it's quite exhilarating to watch. The deeper you get into these dreams, the more absorbed you are in this world. I can't really go into depth about this film without giving anything away. It's the kind of movie you need to discuss with someone right away.

It took Nolan about ten years to write the script. And it shows. The story and plot is completely new and intricate. New layers, secrets and ideas come through throughout the film. And by the end of it, when the screen goes black and the lights come up, you sit there in awe of what you just saw.